An accessible, lively and timely history of the collection and presentation of visual art by the British Council, one of the most influential international cultural bodies in the world. Does the meaning of a work of art change as it crosses a border from one place to another? Can art exhibitions play a role in the relations between different nations? How does a national collection of art reflect a country's sense of itself, and even shape its standing in the world? Over nine decades, the British Council has sent British art abroad in ambitious acts of cultural dialogue with more than one hundred countries, from Afghanistan to Zimbabwe. Its acclaimed exhibitions are seen by millions of people worldwide. These touring shows not only bring the work of leading artists to audiences in every continent, they also demonstrate art's variety and endless capacity for reinterpretation, and the myriad ways that art exhibitions can serve international relations, as forms of promotion and partnership, and as sites of debate and dissent.
Along the way, the British Council has amassed a unique and distinctive national collection of art, comprising almost nine thousand pieces by the most significant artistic talents of the day. These works rarely rest, often going out on the road as soon as they enter the collection, sometimes travelling for years on end. As they move around the globe, they witness the changing circumstances of world history and, in their own way, leave a mark upon them.
There are many tales to be told during this long and rich period, with extraordinary art, fascinating personalities, and complex geopolitics. Through accounts of landmark exhibitions, this book explores intersections of art and national identity; issues of autonomy and authority, persuasion and protest; and shifting trends in art and curatorial practice across the twentieth and twenty-first centuries. It tells the ongoing story of the British Council's visual arts programme and the British Council Collection, to examine what art can achieve as it moves around an ever-changing world.
What is the value of the visual arts in international cultural exchange? What do exhibitions of wok by leading British artists communicate as they travel overseas? For more than eight decades, the British Council has sent British art abroad as ambitious acts of cultural dialogue with over a hundred countries, from Afghanistan to Zambia. Along the way it has amassed a distinctive and unique national art collection, comprising over 8500 pieces, ranging from painting, print and sculpture to film works, photography and craft by some of the most significant artistic talents of the 20th and 21st centuries. It continues to acquire new art by emerging practitioners and to operate in new geographical territories using innovative methods of cultural engagement. Its works are on display in over 100 countries worldwide, and its exhibitions are seen by millions of people per year. Art without Frontiers follows the expectations made of visual arts in the work of the British Council since 1935, locating its achievements in the shifting contexts of global politics and art history across the twentieth and twenty-first centuries. Through a series of chronological exhibition histories that act as testing grounds and turning points, Art without Frontiers explores key moments in the British Council's visual arts programme and, in particular, the development and use of the British Council Collection, to examine what art can do for cultural relations in an ever-changing world.
