The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives.

The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a"dying party" in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.

"As well as for thanatology and death studies specialists, the book will be of even keener interest to those in the various areas touched on in the essays, offering an eye-opening introduction to an interdisciplinary approach in this fascinating field." · Social Anthropology

"The extraordinary impact of loss is discussed in a number of contexts including war and the complexities of dealing with that experience in a socially and culturally dynamic contemporary society. Contributors are drawn from a range of disciplines and international academic contexts, which makes for rich empirical fare?as well as covering socially important topics." · Avril Maddrell, University of the West of England

"The conceptual and methodological concerns contained within this collection are very wide ranging and? there is something for every reader who hails from an arts and humanities or social science background." · Hannah Rumble, University of Bath