Poetry. Using the metaphor of a "flight cage," where birds are held captive, as physical manifestation of the space from which her speakers address us, Dunham reinvigorates the persona poem. Instead of "performing" historical figures such as Wollstonecraft, Dorothy Wordsworth, Anna Akhmatova, and Charlotte Perkins Gilman, she invites them to inhabit her, flickering in and out of sight, refusing an easy artifice. "In her second collection of poetry, Rebecca Dunham, with stunning formal innovation, parses the blessings and afflictions of womanhood, of motherhood. These poems, brilliant on their surfaces, dark and grave in their depths, will startle the reader with their radiance, and haunt--ghost-ridden as they are--with their otherworldly gravity"--Eric Pankey.